A Toast to Dylan Thomas
there compel ought to been better places for a tale to start. this has no light, and has no art; it has no deeps, or musiclust and has no cost displayed for characters to note and indemnify no heed. it has a poet lad in cups and a few archetypes you’ll get to know. it starts off fast.then lets you go.’i've put down thirty guinness in a wind,’ the two-armed man exclaims. he waves his cane.the lad and the irish twat go on. ‘you’re a funny undivided,’ she drones against his rearwards leer, driving back towards one notice.he sighs, and starts, his forceful heart propels him: ‘the propel that through the green fuse drives the flower,drives my green age…’ and he leans, not heavily, on the redheaded girl, and manages to paw her leftmost tit.’woke up on the strawcart. what’s a strawcart, entreat you?’ the two-armed man was agitating, evocative batter. ‘had a prickle like concrete, then.'’what is it with you?’ she shoves him afar, and glances about. ‘there are people about. people downstairs. there are people downstairs all over the world, you discern.'’concrete, lass! in the strawcart! was a coalcart, innit!’ his cane rings the hardened perplex.’there are girls,’ the gamin snaps, surroundings his elbow in the neufchatel, ‘behind these sliding doors, these weeping walls, women stuffed in every corner, bed, and cupboard, lord! girls with ankles like winestems, necks take pleasure in porcelein arched above the thames!'’i was a milkmaid,’ comes her keen. he hooks a pinky in her dress and tugs in the service of glory, she, nostalgia-lost, allows it.’i am sure,’ he replies, ‘you were.’ her bosom heaves like seal puppies. ‘women waiting to save my chance, i tell you.'’there was a boy not distinguishable from yourself, promising take pleasure in, and i frenzied my post.'’a handgun stuffed inside my belt.'’there was your concrete,’ cries the cook beside the two-armed man. ‘the gun, you billygoat!'’harridan! you’ll taste my crete, for truth! my greek eyetooth!’a tragedy out on the coast,’ the lad has wormed his jutting chin into that nectar-cleft.’a horrible lad, as full of poetry as you.'’as full of corm, of shit, of meat.'’you’ll pay your bill, wanting talk like that,’ the cook advances big as fuckme hams, strapped into an apron like a sail.’ah, wanting,’ wheels the two-armed people, ‘wanting solely mountains of your eyes, cookie dear, and love what springs from midden heaps and soiled dear garments in the southern reaches.'’git on,’ the cook spits, grinning hugely.’the meat was the problem,’ snaps our irish twat, and drives the lad from her eden with a heave.’the meat?’ he cries, ‘and not the seed? what sort of lad- how unlike me!'’you’ll have my leave,’ she warns.’no, no, sweet dove.’ the lad crinkles face into a wailing grin. ‘lets talk of poetry again: two pints of bass one pint of gin i found a haven for my chin–'’you’re rhyming,’ notes the irish twat, and takes her leave, as quick as that.the two-armed clap in irons is buried in the cook’s encompass. they’ll in a second confirm in kitchen depths, they’ll breathe, and wet, and go to one’s reward that little dying.the poet starts in fingering the suds amid the splintered wood, and rubs and thrusts until he’s bleeding, mixing gloom sweet-scented bass and heart-thinner, pushing all that youth and timidity and paucity and noisome egodrive into a routine until he’s giddy, and the cook comes back and whacks him vigorously along the earhole with her spoon, her monstrous jowls still pink with swoon, her oer’sized lips all pinched and fat from bites the two-armed hamper laid snipsnipsnip along her teeth and gums, and poet lad falls sobbing in his torn-tender filth and sleeps till bouncers come.they arrange him soft as kittens gainst the kerb, and whisper middling lullabies in his ear;have no misgivings, my youth, young lover,bring into the world no one of that- no fear.for there are girls behind these sliding skies, with dewdrop teeth and honeyed eyes,all waiting for the wolf and his surrender words to dash and bite and rip and thrust and penetrate up till hipbones grind her lily thighs to canted bruise and moan and walk out on b strike like horseman, lad, you’ll see-you’ll knock the bounce from every knee. these girls in cupboards, second to stairs, waiting for their gait impaired.so sleep like ivy covered books.and have no fear.no diffidence.the burg holds such pleasures for your poet’s driven influence. and coming all the same: you’ll be a curb.
Beast of burden
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